A MOVIE LOVER

First of all, If I were Constantin Stanislavski  - [the work on whose Acting Method/System won me an acceptance to apply with the Harvard University in 1999] - I would have left the movie theatre on the first scene... One cannot portray a psychologically ill person by simply freezing in spasms and moving a jaw in all the possible directions. It's not enough to roll one's eyes and start mimicking an ill person. This is exactly what Keira Knightley's character - Sabina Spielrein - did and what almost drove me out of the theatre. I can accept a bad acting, but only in certain movies I usually watch once in a while for the sake of being mindlessly entertained. But Knightley should have known better - not sure why the director didn't notice such a bad acting? She should have studied an ill person - just as Dustin Hoffman did for his part in Rain Man , for which he spent almost a year at a special clinic. She should have spent at least a day or two at a psychiatric cl

There's something about an art-house movie - it's honest, it's real, it's applicable to real life, it's natural, it just touches heart, soul and mind. This is the kind of a movie I'd prefer over any blockbuster with special effects, colorful scenery, beautiful actors... But I've already said that many times before, that's why more often I do reviews of independent, foreign and/or art-house films. Yes, I'm being a bit subjective to it. And, of course, there are exceptions to the rules - sometimes those films end up to be too 'artsy', too far from the action plan on how to apply an art form of a film to the reality. Sometimes they are just too 'weird' to be taken both as a life lesson and as a pure entertainment. In this case, although, the film Like Crazy did serve the purpose of bringing real life scenario - or what might happen to everyone in this life - to a film.